The Hunger Games (2012)

★★★½
The Hunger Games books carry the label of dystopian young adult fiction, but much like Robert Heinlein's juvenile novels (Have Space Suit—Will Travel is a standout), Suzanne Collins's stories have broad appeal that reaches well beyond the Y.A. demographic. She writes at a very high level and incorporates complex themes into a fast-paced narrative focused on combat and survival. Series protagonist Katniss Everdeen is plucky, cunning and resilient. She navigates a deadly contest planned and manipulated by gamemakers who have accepted the yearly sacrifice of children as a part of life. Their world of Panem consists of a highly centralized and authoritarian capital city (called the Capitol) and its 12 districts of varying degrees of poverty and disenchantment. Collins advances the plot efficiently and succeeds in simultaneously conveying Panem's geopolitical environment and maintaining a clear focus on Katniss's journey.

Nope (2022)

★★½
Capsule Review

I'd like to believe Jordan Peele is the newest innovative horror movie director on the scene, and perhaps when he has a larger body of work, we can recognize him as such and acknowledge a few weaknesses along the way. It's not like John Carpenter and Wes Craven always knocked it out of the park. His latest film, Nope, is a little bit of sci-fi and a little bit of horror. It involves a U.F.O. that hovers over a Southern California horse ranch and the owners (brother and sister played by Daniel Kaluuya and Keke Palmer) who try to record it. The Haywood siblings are also dealing with the negative fallout from the death of their father and a nearby Old West theme park owner who wants to buy their land. The players are all in some way involved with the mysterious U.F.O., which has certain rules that don't seem to be followed consistently enough to get a good grasp of how it works. Uneven pacing takes momentum out of the movie. It's an okay effort that doesn't match the ominous dread of Peele's debut Get Out.

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Die My Love (2025)

★★★½
Capsule Review

Lynne Ramsay's Die My Love is a scorching and uncompromising examination of a woman's mental deterioration starting with her postpartum depression and following her through a maddening descent into the darkest recesses of her mind. The sequence of events unravels. How much is authentic? Jennifer Lawrence and Robert Pattinson star as Grace and Jackson, who move into an old family home and aim to start a family there. After the birth of her child, Grace experiences depression and boredom, but she also exhibits odd behavior like crawling on the ground and hallucinating. While the movie progresses more or less in a linear fashion, there are seemingly unrelated sidesteps in the narrative and drastic jumps in time that illustrate Grace's fragmented state of mind. Lawrence's performance is stellar. John Cassavetes' A Woman Under the Influence is a clear inspiration, but Ramsay's movie stands on its own with its surreal imagery to carry it.

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American Pie (1999)

★★★
American Pie came along when I needed it. I've lauded 1999 on this website as my favorite movie year. Personally, though, I was in a bit of a funk that summer. I enjoyed South Park: Bigger, Longer & Uncut and Austin Powers: The Spy Who Shagged Me before this, but they weren't enough. American Pie snapped me out of it. Everything was okay going forward. Jim Levenstein's foibles were more than just easy lowbrow attempts at humor in a high school sex comedy. They were keen observations of a confusing and irrational period of life during which the ability to have second thoughts about one's actions has yet to emerge as a stabilizing force. Jim and his buddies make decisions that teenagers would make and are convinced that their actions are correct, but these decisions originate from a point of view unshaped by real world experience.

Bugonia (2025)

★★★½
Capsule Review

Director Yorgos Lanthimos takes the premise of the South Korean film Save the Green Planet! and, with a keen eye and experienced hand, elevates it to soaring heights. That's okay. It's happened before. Vanilla Sky was superior to the original Spanish film Open Your Eyes. In Bugonia, cousins Teddy (Jesse Plemons) and Don (Aidan Delbis) kidnap the C.E.O. of a pharmaceutical company and hold her hostage on the belief that she is an alien from outer space on a mission to destroy humanity. Michelle (Emma Stone) tries to convince them she is not an alien, but they don't listen, which leads to a power struggle between the two sides to see who will emerge victorious (either them, by getting on to her "spaceship," or her, by escaping). Lanthimos improves upon the original by establishing the paranoia of the abductors before the abduction takes place, by allowing the abductee to assert her position strongly and by placing less emphasis on the law enforcement subplot. The result is a more accomplished film that delivers a powerful punch.

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