Matchstick Men (2003)

★★★½
While I liked Ridley Scott's Oscar-winning Gladiator, I didn't think it represented his best work. He's a solid director, who made Black Hawk Down and Thelma & Louise some of the most talked-about films of recent years. Matchstick Men is another winner, a film of surprising complexity and strong characterizations. It features another stellar performance by Nicolas Cage, and a string of captivating supporting performances that enhance the film's rich texture.

Twin Peaks: Fire Walk with Me (1992)

★★★★
One of the television show's enduring images is that of Laura Palmer's reveal. We see it first within minutes of the premiere episode of Twin Peaks, and we see it again towards the end of David Lynch's Twin Peaks: Fire Walk with Me. It is heartbreaking. Those eyelids and her melancholy posture suggest the saddest of stories. Even as motionless Laura Palmer, Sheryl Lee was still acting. She conveyed emotion with a slight tilt of her head and that sorrowful frown. Hers was a life that ended horrifically when it should have been glorious. Blue Velvet opened with an immediate warning signal—that of burrowing ants—to suggest the horrors to come in a town of picturesque neighborhoods complete with white picket fences. Now imagine Blue Velvet was itself only the surface, and there exists a small town with even darker forces at work. Dennis Hopper's Frank Booth was an evil character, but the antagonist in Fire Walk with Me is a force of nature that feeds off suffering.

Update on Site

Update, May 27, 2024: Due to health issues, I will be adding new reviews infrequently and posting old reviews from my archive. I will continue to watch movies and update my lists as I go.

This Film is Not Yet Rated (2006)

★★
The Motion Picture Association of America (M.P.A.A.)* has long been a thorn in the side of film critics, fans and independent filmmakers for decades. Its mission is to offer a voluntary rating system to help parents determine whether a movie is suitable for their children to watch. The organization sees itself as a guide to help with these decisions, but from the outside, the organization is a censorship arm of the big studios and theater owners that applies different standards to mainstream releases and smaller productions. Screeners for the M.P.A.A. view similar content in movies and grade them inconsistently, so that an oral sex scene in one movie (Single White Female) will appear in an R-rated production while a similar scene in Boys Don't Cry between women will contribute to an NC-17 rating. Kirby Dick's documentary This Film is Not Yet Rated explores this curious process by attempting to uncover who these screeners are and who backs them.

Freaky (2020)

½ star
Freaky is so bad it makes me want to watch The Hot Chick all over again even though I didn't care for Rob Schneider's lame body switching movie. Just when this genre has seemingly run its course, along comes another filmmaker who thinks he can revive it. The guilty party this time is Christopher Landon, the writer/director of the decent Happy Death Day series. His attempt to meld the body switching movie with horror and comedy is a disaster. More than that, it's pitiful. The opening kills were badly staged and completely unfunny, and it's all downhill from there. The plot involves an ancient dagger that can cause the attacker and victim to switch bodies. Landon's stab at the concept involves switching members of the opposite sex, an idea that has been explored only a handful of times, but I've never really seen a movie mine this scenario to its fullest potential. The one that I think did it the best was 2006's It's a Boy Girl Thing. I already mentioned Rob Schneider's middling comedy, which focused too much on Rachel McAdams in Schneider's body and not the other way around.